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princessamericachavez:

I can’t decide what broke me more, Crowley’s constant acts of service, always showing up to save Aziraphel or make him happier… or Az’s extremely in love expressions.

Like, listen:

a. THE WAY HE LOOKS AT HIM even when playing “enemies”

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b. His smile when Crowley appears to save him in France? SOFT

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c. WHEN HE FALLS IN LOVE

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d. That cutesy smile and blush????

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e. The way his gaze lingers after the sexually charged moment AND HE’S LOOKING AT THIS LIPS BEFORE HIS GAZE GOES UP??

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f. “to the world” but say it like it means “i love you”

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sokkable:

sandsbuisle:

sokkable:

do y’all millennials and gen z remember when kinder eggs looked like the pic on the left? then everything changed when the kinder company redesigned it

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ive tasted both eggs during my childhood and left is superior. but it HAD to be a choking hazard s m h

The ones on the left are still around, they’re just banned in the US

WHAT.

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walkingdorito:

socrappyicoulddie:

gentlekingsmen:

hulksmashley:

Literally nothing will ever be as satisfying as the 4 minute long fight sequence in Kingsman: The Secret Service, in which Colin Firth mercilessly wastes an entire Westboro Basptist Church like congregation as the guitar solo from Lynard Skynard’s 1973 anthem Freebird plays in the background.

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Originally posted by lewiebaloo

This was the best career move Colin Firth ever made

Also had the best line/delivery of any movie ever

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Originally posted by delirium-interrupted

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hepalien:

gncfag:

gncfag:

gncfag:

no offense but bucky not remembering what he does as the winter soldier makes his & sam’s rivalry so much funnier

sam: you know im STILL not over the time when you ripped out my car’s steering wheel!

bucky: the time i WHAT

sam increasingly realizes he can just say whatever tf he wants & bucky’ll be like

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Sam: I can’t believe you stabbed Caesar

Bucky:

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hennyproud:

“I have written a poem for a woman who rides a bus in New York City. She’s a maid, she has two shopping bags. When the bus stops abruptly, she laughs. If the bus stops slowly, she laughs. I thought, ‘Mmm, a-ha.’ Now, if you don’t know black features, you may think she’s laughing. But she wasn’t laughing. She was simply extending her lips and making a sound. I said, ‘Oh, I see.’ That’s that survival apparatus. Now, let me write about that to honor this woman who helps us to survive.”
Maya Angelou: And Still I Rise (2016) dir. Rita Coburn & Bob Hercules

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